Grip And Electric Film Job Definitions

3rd grip company grip or gang grip.

Grip and electric film job definitions.

There are shoots where the best boy might be a swing meaning they d work for both grip and electric. Best boy grip assists the key grip but assumes more responsibility for the hiring and scheduling of the crew. Key grip the foreman of the grip department. Manages the budget for a film project.

Apply to producer director set up associate production assistant and more. The key grip oversees the proper camera rigging mechanisms as well as manages the light blocking and diffusing techniques. A grip is part of the production team that develops and builds the set for a movie commercial or television show. Apple boxes sandbags cables plates overheads scrims flags reflectors if there s anything a grip crew would need we have it.

Head grip in charge of setting up equipment including cranes dollies and platforms to facilitate the camera crew s shot. A film production is nothing without it s key grip and a grip crew. The majority of grips fit into this category. Overseas the work and responsibilities of all of the grips on the set.

This is part of the cinestudy project a free online source for people learning filmmaking. Scouts locations and obtains the necessary permits for filming in those. Dolly grip operates the camera dollies or camera cranes. It is unclear why this term came to be used as a job title on film sets.

Ranging from huge necessities such as the c stand to the smallest tool such as c47s we are the 1 spot for grip essentials. He or she will act on behalf of the key grip in areas such as booking crew and equipment rental. Key grip or first company grip. Best boy grip or second company grip.

The grip and electric departments get a brief overview. To formulate the best tactic for accomplishing a given shot. The boss or head of the grip department. They work on.

This is the key grip s right hand person. In a large crew the key grip and gaffer would work closer to the dp while the best boy of either department would then work with the grips and electrics to fulfill the plan. The main or primary light source used in a scene. The grip department may include only a key grip a best boy and a few grips.

Grips work primarily on the complex equipment which supports the cameras and on. The key grip and best boy collaborate with the gaffer and d p.